The distraught era, in tune with deconstructive language.
The pinnacle of modernist poetry.
A notorious figure of modernist Korean poetry of the 1980s, Hwang Ji-U made his debut as a poet with Even Birds Leave the World. His most well-known work to date, this collection ruthlessly deconstructs the conventional concept of poetry in the exploration of potential aesthetic alternatives. That said, his deconstructive writing is never a mere aesthetic or tool for amusement but a potent expression of consciousness. Through his deconstructive form, the poet poses a poignant commentary on the political oppression and pervasive anxiety of the time to expose the tragedy and despondence buried under the surface. The goal is to get closer to the truth through deconstruction rather than a strictly formal innovation—and Even Birds Leave the World is an undeniable milestone in contemporary Korean poetry for achieving that goal.